Little did, businessman and entrepreneur, Michael Rossi know that the telephone call he answered on that fateful Friday would be the catalyst for his death, and the subsequent recovery of his body from the waters of Sydney Harbour the following morning. Recalled from leave to take on the case, Detective Chief Inspector Fitzjohn confronts the first of many puzzles; how Rossi spent the unaccountable hours before he died. This leads him on a paper-trail into a tangled web of deception, jealousy and greed, that unravels the mystery surrounding Michael’s death. Unaware of her nephew’s fate, Esme Timmons retires for the evening, unsuspecting of the events about to unfold; events that will, ultimately, expose a grim lie, buried deep in the past.

Sydney’s Observatory on a balmy summer evening is the perfect venue for a cocktail party and, it would seem, a murder, for Peter Van Goren’s body is discovered bludgeoned to death in the grounds. The first question Detective Chief Inspector Fitzjohn must answer is why Van Goren was present given his name does not appear on the guest list. The second is what was the subject of Van Goren’s vehement argument with Richard Carmichael, one of the function’s hosts. Meanwhile, Richard’s son, Ben Carmichael, a photojournalist, returns to Sydney from an overseas assignment to find his fiancée, Emma Phillips, has gone missing. Although unavoidably dragged into the police investigation, Ben goes in search of her. In so doing, he is drawn to Lane’s End, the abandoned family estate where the very atmosphere awakens disturbing memories. Through a maze of twisted stories, Fitzjohn follows a winding path to solve his case, but he is not prepared for the spiralling perplexity his quest creates.

An enthusiastic crowd gathered at Lyrebird Lodge in the Blue Mountains on that crisp autumn morning, all anxious to acquire one of Florence Fontaine’s much sought after paintings. However, the only art on one visitor’s mind is the art of murder. Detective Chief Inspector Fitzjohn, unwittingly drawn into the case, launches his investigation that reveals a web of past and present jealousy, deceit and revenge, at a time when his own life is unravelling before his eyes. Meanwhile, Claire Reynolds, Florence’s business manager and organiser of the event, finds herself entangled in the police inquiry as evidence of her involvement is established. Traumatised, Claire is blind to the peril that surrounds her.

“The Claremont”, an outdated, run-down apartment building, is thrown into turmoil when its latest and most celebrated resident, Crispin Fairchild, conductor of the Sydney Symphony Orchestra, is found murdered. His eccentric neighbours and members of the orchestra appear saddened by his death but are they? Is one of them his killer? These are questions Detective Chief Inspector Alistair Fitzjohn asks himself when he takes on the case and unearths not only the innermost secrets of those who knew Crispin, but the enigma that surrounds him.

University professor Alex Wearing is found murdered in his study by the Post Graduate Co-coordinator, Vera Trenbath, a nosey interfering busybody. Assigned to the case is Detective Chief Inspector Alistair Fitzjohn. Fitzjohn is a detective from the old guard, whose methodical, painstaking methods are viewed by some as archaic. His relentless pursuit for the killer zeros in on Alex’s brother, James, as a key suspect in his investigation. Compelled to clear himself of suspicion, James starts his own investigation and finds himself immersed in a web of intrigue, ultimately uncovering long hidden secrets about his brother’s life that could easily be the very reasons he was murdered. This gripping tale of murder and suspense winds its way through the university’s hallowed halls to emerge into the beautiful, yet unpredictable, Blue Mountain region where more challenges and obstacles await James in his quest to clear himself of suspicion and uncover the truth about his brother. Dear Prospective Reader, Please note that The Celtic Dagger was written as a stand-alone story. It was not until after the book was published that I decided to write a series featuring Detective Chief Inspector Alistair Fitzjohn. Consequently, Fitzjohn does not play a leading role in The Celtic Dagger.